Curriculum-Integration Techniques, and Ideas for K-2

As a Teaching Artist, I often had to generate dance ideas that connect with curriculum.

Here was my approach.

I would research the topic that the grade level was working on, and look for and jot down:

  • Descriptive words (nouns, verbs, adverbs, adjectives)
  • Sequence of events that create structure (such as science processes, words of a poem)

I might brainstorm and partially group-write a script or poem with the kids and clean it up later as needed.

 

Then, I’d seek to match my research with:

  • Action (in place)
  • Locomotion (traveling)
  • Shapes (individual, group) that stay
  • Shapes that move (e.g. water that sways, clams that open and shut)
  • Quality of Movement (including expression, emotion)

 

I’d look for:

  • Music selections
  • Words that would guide the action.

(Words and music could be the score, at the same time or alternately.)

Many of my own creations have come out of this process. 

 

Let’s look at some examples for working with younger students (grades K-2)

From AlphaBeat, a couple of science-integration ideas which you can find written up in the AlphaBeat Companion Guide

For 1st “Little Seed” and “Trees”

For mature 1st grade and 2nd “Snowflake Dance”  

Here are some ideas from other resources for 2nd graders

For a dance about the Water Cycle, see “Water Dance” by Thomas Locker as a terrific point of departure. You can excerpt material for spoken word.
For music, I recommend the storm section of Beethoven’s Pastoral Symphony and Marimba Dances – 1 from Light in Darkness by Evelyn Glennie.

 

For Habitats (Ocean,  Desert, Rainforest):

I group-wrote, very often, an ocean dance with the students (use Aquarium from Carnival of the Animals as your soundtrack).

For desert,  you can glean from Diane Siebert’s book Mojave.

I wrote my own poem and music for a rainforest dance.  (It’s in the Oct/Nov 2010 Issue of Activate Magazine…see later part of this post)

 

Here’s a list of topics I’ve successfully explored with K-2 students:

Language Arts

  • Alphabet Order
  • Simile
  • Metaphor
  • Punctuation
  • Folk and Fairy Tales
  • Verbs and Adverbs (more a 2nd grade and up thing)

For poetry, I particularly love The Random House Book of Poetry for Children edited by Jack Prelutzky  as a resource

Math

  • Telling time
  • Add – Subtract – Multiply

 

Science

  • The Seasons
  • Insects: metamorphosis, life cycle
  • Weather: water and weather, clouds
  • States of Matter
  • Animals: Adaptations, ways they move

 

Social Studies

 

A couple of other integration pieces (and this is just a small sampling)

Interdisciplinary Learning through Dance – 101 MOVEntures

A book/CD/DVD. Curriculum-integration lessons are divided into K-2 and 3-5th lessons

 

Rhythm of Math: Teaching Mathematics with Body Music (A Kinesthetic Approach)

Keith Terry

A 3-5 focused-curriculum

This resource is very rhythm-centric but it’s a very cool blend with movement and VERY math strong.

 

Anne Green Gilbert and her Laban-based, concept-based approach is great for fundamentals
Including Brain-Compatible Dance Education
and Creative Dance for All Ages, 2nd edition (which came out last year, and includes some video and additional resources as downloads).

 

Some of my documented integration lessons are in issues of Activate! Magazine.

This is mainly for music teachers, but also includes some movement. You can back-order some issues of  Volume 5 that include science-integrated activities for K-2 and companion strategies that go with them.

No. 2: Oct/Nov 2010 – Crazy Locomotion Relays (a great strategy for generating lots of locomotor movement ideas) and Rainforest Dance (Done to an original poem and includes music)

No. 3: Dec/Jan 2010/11 – Animal Tracks

No. 5: April/May 2011 – Water and Weather: Exploring Science through Movement (includes music)

 

If you have ideas of your own, kid-tested  favorites, please share!

 

 

June 14, 2016. Tags: , , , , , , , . Creative Dance Lesson Plans, Curriculum Integration, Favorite Books, Favorite Music, Kate Kuper on Teaching Creative Dance, Teaching Tips, Thoughts on Teaching Series, Working with Kate's Material. 2 comments.

Thoughts on Teaching Series #4: Teaching General Space in a Small Room

This week I worked with several challenging 1st grade groups in the music room. Not a big room, and at least 4 students had poor impulse control.

However, I wanted to do The Stick Together Game (from Step on the Beat) as a follow up to teaching Body Shape Jam (from AlphaBeat) for a lesson on Body Parts. This would involve traveling, stopping, connecting parts, then traveling again with parts connected.

Here’s how I set them up for traveling. First, we did a call and response of “General Space, Go!” with voice and gesture, clapping the syllables of ‘general space,’ and pointing across for ‘go.’

Next, I demonstrated traveling, with words recited rhythmically, while playing the pulse on my hand-held drum:

Move into the empty space/ bodies moves-mouths don’t/ listen for the stopping sound/ stop on your spot//

Each short phrase was 4 beats long, so the demonstration was 2 8’s long, which is a good duration for general space traveling practice. The last 4 counts included shaking the drum to indicate the stop was coming and playing a strong double beat to indicate stop.

I kept my key words to address body control, spatial awareness, and listening skills, which are crucial to success.

Then, we did it as a group, with my words and drum. A third practice was ‘drum talk’ only.

Happy to say that, when we did the group activity in general space, it was a success.

I might add that my locomotor choice for this activity started with walking on the pulse. We could graduate to gallop or skip if students demonstrated the crucial success skills.  But not the ‘r’-sounding one (let the children figure that out themselves!)

 

March 12, 2016. Tags: , , , , , , , . Behavior Management, Kate Kuper on Teaching Creative Dance, Teaching Skills, Teaching Tips, Thoughts on Teaching Series. Leave a comment.

What to do with…Apples and Oranges (more ideas)

I’ve talked about Apples and Oranges in other blog posts, as well as in “What to do with…”

(If you don’t already have it, you can purchase Step on the Beat through my website, katekuper.com, or from West Music.)

Today I worked with a challenging group of 1st graders with poor body control, and poor interactive and listening skills.

Thought I’d do Apples and Oranges as a partner dance.

We started with slap and clap, building up from one slap/clap each to two each.

For the ‘circle round’ part –I would typically do as a right and left elbow swing – I had them ‘gypsy’ around = circle around a shared axis with only eye contact, not touching. Next, I attempted the elbow swings.

Not gratified by the outcome, I switched strategies.

We formed a circle, still standing next to partners. Each partner committed to being either an Apple or an Orange, and I checked for understanding with raise of hands.

I explained the ground rules for traveling – skip, gallop or side slide – and demonstrated the duration by modeling.

Then each group practiced.

I had to stop the activity to remind NO RUNNING. (In fact, I had to interrupt individual dancers during the activity for the same infraction…. but no injuries occurred and cooperation was restored!)

Next, we did slap, clap and turn around on our spots, as I have adapted for 4 & 5 year olds.

In the repetition of the dance, I had them turn to their partners for slap and clap. This gave the dance just enough social interaction/cooperative skill building to be satisfying to the age group.

The positive outcome reminded me that we educators can blend strategies from different developmentally appropriate categories to get just the right balance, instead of staying away from the activity all together.

 

Happy Dancing!

 

March 9, 2016. Tags: , , , , . Behavior Management, Teaching Skills, Teaching Tips, What to do with...., Working with Kate's Material. Leave a comment.

Teaching Size and Pathway in the Kinesphere

Last summer I attended a workshop on Language of Dance  with Tina Curran. Also teaching was Frederick Curry, certified in Laban Movement Analysis (which you can Google and find out more about).

Each day of the workshop focused on a different umbrella topic, including body, space, shape and relationships, and effort/dynamics. These concept categories are familiar to me through the work of Anne Green Gilbert. But the view lens and perspective of both LOD and LMA gave me a fresh take on concept teaching.

I’m going to talk about space, and in particular the kinesphere, because – since returning from the workshop – I’ve been exploring this in all my teaching to great effect. Lately I’m teaching children ages 4-10, college-aged students and people over the age of 50. Everyone is responding very positively to the learning.

Why am I so excited? Because sensing ourselves in space is so important.

Here’s what I’d like to share.

The kinesphere is the space around us. I give the image of a ‘hamster ball’ – one of those transparent globes that allow your pet to run around the house without getting away from you. I prefer this image to ‘bubble’ because it’s not as fragile. You can touch the inner surfaces without breaking through.

Within the kinesphere, we can grow and shrink, changing size. ‘Extension’ is the word for stretching and reaching the limbs in all directions. ‘Flexion’ is the word for bending our limbs at the joints, shrinking towards the core. Therefore, ‘extension’ moves us towards ‘big’ and ‘flexion’ towards ‘small’.

As we explore extension and flexion within the kinesphere, staying in one place (standing, sitting in a chair, or sitting on the floor would be options), we create pathways. Reaching directly out from the navel or core, we make direct pathways. This is called moving centrally. Upper and lower limbs can move centrally in all directions, challenging balance. Central pathways are straight, direct and radiate from the core.

Peripheral pathways touch the inner surface of the kinesphere. Movers sweep limbs across the space, in curves, in all directions. Tossing over the top is peripheral movement. Keep the image of touching the kinesphere to encourage big reach, and remind movers of the space behind and below, too.

Transverse pathways cross the midline, passing from one side of the kinesphere to the other, in front and behind the body while remaining in one place. Smaller, intricate movements may appear in this exploration. The pathways can take direct or indirect routes as they cross the midline. Encourage movers to explore all limbs, both upper and lower.

After exploring size and pathway in the kinesphere, take a walk or transition into a warm up and see how your sense of space is affected. How does this change your spatial awareness? Do you move with more volume? Are you aware of all sides and dimensions of yourself in the space, not just the front of the body?

This is a great way to start a movement exploration, and establish a bigger and more dimensional sense of self and others.

 

October 2, 2015. Tags: , , , , , . Elements of Creative Dance, Kate Kuper on Teaching Creative Dance, Studio Teaching, Teaching Tips, Warm Ups. 1 comment.

What to do with…Down By the Station

With early childhood, in the school setting, when the children come to me, I use Down By the Station (from Songs for Dancing) as the transition to entering the gross motor space and forming a circle.

It sets the stage for imaginative play, reminds children that they have not come to ride the bikes or play on the climbing structure, and ends us in a desirable spatial formation.

From there, we either sit or stand for a welcome activity, followed by our warm up.

After doing this song/activity every week for many weeks, the children were no longer ‘transformed.’ Spirited children were getting into other people’s personal space, etc. It has become one more single file line, and we know there are already plenty of those in the school setting!

I DO know that children like to MOVE, and, once the newness wears off, walking on the beat just won’t cut it.

SO…I told the children we were going to do a special kind of train. First it was a JUMPING train. Then, after we’d pointed out all the different animals and plants we saw on our train trip and returned to the song, we were a HOPPING train.

This changed it up just enough to add interest, it was aerobic and exciting, and accomplished the activity objective (get into the space, end in a circle, sing, move, imagine).

Look for different locomotor movements (stomping, turning, tipping side to side), energy qualities (shaky, sharp), or levels (high and low) to spice things up in your own train….or when leading ANY SINGLE FILE LINE.

Think outside the box (car)!

May 18, 2015. Tags: , , , , , , , , , . Behavior Management, Kate Kuper on Teaching Creative Dance, Teaching Tips, Transition Magic, What to do with...., Working with Kate's Material. Leave a comment.

What to do with…Show Your Feelings!

Show Your Feelings! is found on AlphaBeat.

Use visual supports to frame the experience.
I recommend Lots of Feelings by Shelley Rotner. This book has photos of children making faces and covers almost all the feelings in the song.
Before you do the song, read the book. For non-readers, I replace the word ‘loving’ with ‘peaceful,’ since that vocabulary appears in the song. I usually skip the page with ‘serious’ and ‘silly.’

As you do the song, you can say, “Hmm, I wonder what’s next?” modeling the feeling of being ‘curious.’

After you’ve done the song,  review the images again.  You can ask them if the group was ‘curious’ about anything during the song….someone will likely chime in “We wondered what was next!”

You can also create your own visual supports by taking pictures of your students (individual or group) as they perform the song. Print the pictures and caption them with the emotions. Make an emotion word wall, and use these as a reference to help children verbally identify and express their emotions.

Thanks to Rachel at the Savoy Head Start for the emotion word wall idea!

Lots of Feelings book cover

 

March 25, 2015. Tags: , , , , , , , , , , , . Favorite Books, Kate Kuper on Teaching Creative Dance, Teaching Tips, What to do with...., Working with Kate's Material. Leave a comment.

Thoughts on building a sequential movement vocabulary in the elementary music classroom

Q: I want to be more intentional about developing a movement vocabulary in my elementary music classes. Which one of your publications would be best for providing a sequence and some activities for doing this? I have all of your books. I just need guidance on where to start.

A: My books and music include many activities that align to concepts in music and dance. A concept-based approach to teaching is more effective and enduring than an activity-based approach. Students learn specific concept-related vocabulary. Teachers can layer on new concepts and vocabulary from week to week.
You, the teacher, can also REPEAT ACTIVITIES in different lessons THROUGH THE LENS OF A DIFFERENT CONCEPT.

Here is a suggested 9-week sequence, organized by concept, rationale, activities, age-ranges, and source material included.

Note:
I always start with a warm up, which may be my second lesson, having captured their interest with something exciting on the first day.

I use Brain Bop for warm ups. Sometimes, for K-1, I change it out with the warm ups on AlphaBeat or Everybody Do This from Songs for Dancing. For the most part, though, I favor the brain-based sequence (Anne Green Gilbert’s Braindance) found on Brain Bop.

  1. Concept: Place (Self & General Space)
    Rationale: To recognize and learn where we are in space, leaving room between self and others, moving and stopping, and traveling safely. The first lesson should be fun and exciting.Activity Examples:
    Step On the Beat (K -5) Step on the Beat
    Action Dance (K-3) AlphaBeat – self-space emphasis
    Do Your Own Dance (K-2) Songs for Dancing

     

  2. Direction (Up/down, Right and Left, Forwards and Backwards)
    Rationale: To learn how to describe and respond to all directional movement, whether moving in self or general space.

Activity Examples:
Sodeo (K-1) AlphaBeat
Apples and Oranges (K-5) Step on the Beat
Over the Top (3-5) Step on the Beat

 

  1. Level (High, Middle, Low)
    Rationale: To learn how to describe and respond to relative distance from the floor.

Activity Examples:
Hinging (3-5) Step on the Beat
Little Seed (K-2) AlphaBeat
Little Birdies (K) Songs for Dancing

 

  1. Spatial Relationships (Over, Under, Near, Far, Between, Around…..)
    Rationale: To understand our relationship to space, self and others in order to move with more skill and awareness. This also builds the vocabulary of preposition words and teaches positive and negative space.

Activity Examples:
Shape Maker/Shape Explorer (2-5) Step on the Beat
Travelers and the Magic Forest (1-2) AlphaBeat
Stick Together Game (K-5) Step on the Beat

 

  1. Expressive Qualities (Energy, Flow, Force, Weight)
    Rationale: To recognize the difference between smooth, sharp, shaky and swinging movement and explore creative ways of changing between these energies as students move in place and through space.

Activity Examples:
Popcorn and Melted Butter (K-2) Songs for Dancing
Imaginary Journey (K-2) AlphaBeat
Action Dance (K-2) AlphaBeat
Show Your Feelings (K-2) AlphaBeat
Near and Far (K-2) AlphaBeat

 

  1. Rhythm & Speed
    Rationale: To make the connection between the music and dance elements of tempo, pulse and pattern

    Activity Examples:
    Trip to the Zoo (Speed) (K-2) Songs for Dancing
    Flea Song (K) Songs for Dancing
    Everybody Do This (K-2) Songs for Dancing
    Apples and Oranges (K-5) Step on the Beat
    Here We Go Round and Round (K-2) Songs for Dancing
    Walking Song (K-2) Songs for Dancing

 

  1. Parts of the Body
    Rationale: To learn body parts vocabulary and explore creative ways of using parts of the body when moving, making shapes and working with others.

Activity Examples:
Hinging (3-5) Step on the Beat
Stick Together Game (K-5) Step on the Beat
Body Shape Jam (K-3) AlphaBeat
Here We Go Round and Round (K-2) Songs for Dancing
Flea Song (K) Songs for Dancing

 

  1. Pathways Floor and Air
    Rationale: To learn that we make patterns on the floor as we travel, and patterns in the air with different body parts, using different levels, directions, and spatial relationships.
     

     

    Activity Examples:
    Step On the Beat (K -5) Step on the Beat
    Down by the Station (K) Songs for Dancing
    Over the Top (3-5) Step on the Beat

 

  1. Shapes: Straight, Curved, Twisted, Angular, Symmetrical and Asymmetrical
    Rationale: To learn shape vocabulary and explore creative ways for use shapes when moving and working with others. Dances begin and end in a shape.

Activity Examples:
Shape Song (K-1) Songs for Dancing
Trees (K-2) AlphaBeat, followed by…
Travelers and the Magic Forest (K-2) AlphaBeat
Stick Together Game (K-5) Step on the Beat
Do Your Own Dance (K-2) Songs for Dancing
Over the Top (3-5) Step on the Beat

 

  1. Locomotor Movement
    Rationale: To learn and recognize the eight basic locomotor movements, individually and in movement sequences.

Activity Examples:
Locomotor Movement (K-5) AlphaBeat
Galloping Song (K) Songs for Dancing
Skipping Song (K-2) Songs for Dancing
Walking Song (K-2) Songs for Dancing

 

 

Other educators share their thoughts: 

Here’s what dance educator Betty A. from Urbana, IL says about her six-week creative dance unit organization:
“I use a variety of resources. But, my top choices would be the Anne Green Gilbert book (Creative Dance for All Ages)* and your resources. Any time someone asks for creative dance resources that is my standard answer. I do concept-based teaching. My focus is creative dance (dance elements -BEST – Body, energy, space, time). I try to teach one dance to all classes to discuss choreography. It might be a folk dance or a dance that we create together. 3rd through 5th grade always has a group choreography project using the concepts we have learned / explored. Of course, I try to cover all of the State Learning Standards, but often cannot get to all of them in 6 weeks.

 

*Kate adds: Anne Green Gilbert created a later publication called Brain-Compatible Dance Education. This book is organized by lesson plan component rather than concept, and included both many Braindance variations (like the material on my Brain Bop CD) AND references to Eric Chappelle’s companion music called Contrast and Continuum, Volumes I – IV. I use both books.

 

Here’s what dance educator Cissy W. from Lafayette, LA says about using my material in her units:

When I started trying to analyze how & when I use your CD’s at my various levels (K-5) and realized it was a very complex thing. I am not absolutely consistent with what I use first. Usually the Welcome Song followed by the Flea Song is a good start with my younger classes. I used to start with the Train Song, but now introduce that later in my sequence when we are studying pathways and sometimes even have 2 or 3 short trains going at once!  If I think they need to calm down and focus, I do the first section of the Brain Dance warm up from Brain Bop. Lately, I have been using the Galloping Song to transition from their table seats to their Poly spots on the dance floor. I use the Action Dance from AlphaBeat to review locomotors and break the ice with my new 3rd graders at the beginning of each 9 weeks. Other things are seasonal: The Haunted House in October, The More We Are Together for Valentine’s Day.

How do YOU organize YOUR dance unit?

January 23, 2015. Tags: , , , , , , , , , , . Creative Dance Lesson Plans, Elements of Creative Dance, Kate Kuper on Teaching Creative Dance, Lesson Plan Organization, Teaching Tips, Working with Kate's Material. 1 comment.

Lesson Plan Series for ages 3-5: Lessons 11-15

This is the third and final post in this Lesson Plan Series.

Notice these things:

  1. Simplify more complex activities to make them age appropriate.
  2. Teach a skill, then apply it in the following activity.
  3. Use visual supports to teach, empower and improve memory.

 

Simplify more complex activities to make them age appropriate.

For Here We Go Round and Round, I adapted a circle dance that is usually done holding hands, traveling around the circle line.
Since the concept was ‘Body Parts.’ I made the circling into ‘circle one body part, one way and the other.’ The sequence of the dance remained the same except for that.  I posted the downloadable visual support for this dance, found on the Songs for Dancing CD, so we could use it as a visual reference. See my post called What to do with…. Here We Go Round and Round for more details on that.

Teach a skill, then apply it in the following activity.

See my post called Using Galloping Song to teach Apples and Oranges  for more details on that!

Use visual supports to teach, empower and improve memory.

Use the letter “S” to teach qualities: smooth, sharp, shaky and swinging.  You can even use letter blends – sh, and sw – if you want to up the challenge level.  Use the “S” visual for review, to check for understanding.

See my post called What to do with….Imaginary Journey to download the visuals for that activity.  Use the visuals before you teach, while you are teaching, and when you review.  Very powerful and empowering for the children.

Finally, use your collection of visuals as an archive.
When it’s free choice time, I place three pictures in front of a child and ask him/her to choose which activity we will do.  If there’s time, pick another child to choose another activity after you’ve done the first one.  There are all kinds of methods you can use to select and sequence free choice activities when the visual supports are available.  I keep my visual supports in page protectors in a binder. I either  put the ones I’m offering for free choice on a 1″ book ring for ease of flipping pages, post them on the board, or lay them out on the floor.

Here are the last 5 lessons in this series.

Lesson 11 Body Parts 2
Lesson 12 Body Parts 3
Lesson 13 – Pulse and Pattern
Lesson 14 – Expression and Quality
Lesson 15 – Imagination and Quality

Enjoy your time with the children!

November 23, 2014. Tags: , , , , , , , , , , , , , . Creative Dance Lesson Plans, Kate Kuper on Teaching Creative Dance, Studio Teaching, Working with Kate's Material. Leave a comment.

Steps to Guiding Creating

In my Creative Dance for Children mentoring program a few weeks ago, we got to talking about the steps for guiding Creating activities in class.  This pertains to ages 4-10.

When guiding students, you have to assume a leadership role at many points along the line.

First, you lay out the structure for creating as clearly and simply as possible.  Visual aids, such as mapping or vocabulary, may help a great deal.  If you are working from a poem or a picture, you have it posted.

Next, you divide the group into sub-groups if you have enough assistants in the room (for younger) or if the children have self control and concentration to function successfully in small groups. When first empowering students to work independently, duets are good.  Generally 5 is a large group.  Before you send groups off to work, have a sound signal ready that will mean ‘freeze, sit, look and listen’ so you can get everyone’s attention once they are spread out in the space. This could be a drum or hand clap pattern.

Make sure to have a nice distribution of ‘chiefs and indians’ in the group so the leadership is balanced. Also balance out off-task and on-task folks.

Instruct groups to first plan, then get up and test their ideas.
Next, they need to refine their ideas, ‘set’ (that means remember so you can do it again) and practice.

After that, they can re-evaluate their choices, refine again and practice.

Give the groups a short amount of time to work (5 minutes), and check for progress, allowing for another minute to wrap up before showing.

Move among groups during the working process. Ask them: ‘show me what you’ve got’ if they appear stuck or have completed the assignment.  They can refine if they are done, and get back on track if they are stuck.

If you see one off-task child in a group, you can join them for a while to calm that child and help with focus.

When it’s time to perform, select your order of performance. Stronger groups should perform later in the line-up, since they know what they are doing and will remember it.  This is also so as not to intimidate weaker groups who may feel less successful once they’ve seen the stronger groups. Put anxious groups early in the line-up, too.

Review or teach audience and performer skills. Audiences watch with a purpose, don’t practice their own dances, are still, silent, respectful and facing towards performers.  You can check what the purpose is they are watching for (usually the concept or structure of the dance). Performers are still at the beginning and end (a big breath helps), do their best, and don’t get flustered if they make a ‘mistake’ (since the audience doesn’t know the rules of their dance anyway!). Even though these are only ‘studies’ that performers are show, audiences can still applaud at the end to show appreciation.

Reflect on the dances. Decide on how to approach this. Will everyone have an opportunity to volunteer an observation, or one group comments upon another, with that rotated around?  A spokesperson from each group? Lots of possible ways to do this.

What are good reflection questions? You can guide the group to recall elements from the purpose of the dance, memorable moments they saw, sequences, etc.  Groups can themselves talk about the process of making the dance: what was the leadership dynamic?  If there was one thing you could change about your dance, what would it be?  Again, lots of internal reflection possibilities.

In our program, we find this process takes about 20-25 minutes, from start to finish in a group with approx. 12 children and a maximum of 5 groups.

To recap:

  • Frontload the assignment.
  • Divide groups, teach the sound signal for getting their attention.
  • Give a time limit, and a wrap-up time limit.
  • Move among the groups to check for understanding.
  • Decide on the order groups will show.
  • Review Audience/Performer expectations
  • Be ready with meaningful reflection questions and a strategy for how reflection will be conducted.

And, of course, have a pleasant look on your face and a smile in your heart as you work, oops, I mean ‘play.’ Creating is challenging fun!

 

 

 

 

November 15, 2014. Tags: , , , , , . Creating, Kate Kuper on Teaching Creative Dance, Reflection and Closure, Studio Teaching. Leave a comment.

Lesson Plan Series for Ages 3-5: Lessons 6 -10

This next set of 25-30 minute lessons would work best in a gross-motor space rather than the classroom. However, if you are restricted to your room, make sure to clear away the obstructions that will hamper your success. Guide children away from the edges of the space and into the open spaces.

I generally teach in a circle, the most democratic of spatial formations and also the one that leaves all that valuable real estate open in the center.  Go ahead and have some students be ‘jelly filling’ inside the ‘doughnut’ when possible.  Different children can have that privilege on different days.  You can also have every other child scoot forward from his/her spot on the circle, to leave more space on either side.

Another strategy for spreading children out is to use tape markings or portable markers, such as yoga squares.  You already may have carpets with designs on them that the children have become accustom to. Just make sure they aren’t jammed together.
Changing the way you use space is NEW and novelty always creates a little chaos.

Give this new spatial arrangement three times……by the third time of doing something differently, the children — and you — will have settled into a ‘new normal’ during movement time.

These lessons are on the concepts of Direction and Speed, Energy, Shape, and Body Parts.  In the middle of the sequence is a new warm up, to change up what you are doing with the children.  After you’ve done this new warm up 3-5 times, you can go back to the previous warm up and switch them out thereafter.  This is also true of welcome and hello songs and dances.

My ‘Rule of Three’ applies here, too.  Do a new hello song times, then switch it out with something different.  The children will appreciate the novelty at that point.

Lesson 6 Direction Speed 2014
Lesson 7 on Energy 2014

Lesson 8 New Warm Up 2014
Lesson 9 Shape
Lesson 10 Body Parts

Enjoy!

October 27, 2014. Tags: , , , , , , , , , , , , , . Creative Dance Lesson Plans, Kate Kuper on Teaching Creative Dance, Studio Teaching, Working with Kate's Material. Leave a comment.

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