Creative Dance: Process versus Product
I was just reading an article about drama in the classroom versus theater for the stage. The author, quoting from a work she’d co-authored, described drama as focused on “the process of the experience for students and teachers, not on a product produced for others.” The co-authors described theater as “a disciplined artistic experience in which artists work and re-work the same material with the goal of performing it perfectly for an audience.” (A Dramatic Approach to Reading Comprehension, Kelner and Flynn, Heinemann, 2006)
These descriptions were a light bulb moment for me in thinking about creative dance compared to studio techniques, and the way we explain them to others.
The objective in most studio training, as in the description of theater above, is to polish and perfect in order to perform. Many hours of training go into “working and re-working the same material with the goal of performing it perfectly for an audience.” Striving for technical excellence sometimes obscures the reason that many of us were drawn to dance in the first place, namely for the feeling of freedom and joy that we get from moving.
Whenever we are called upon to stand up for the value of creative dance in a studio setting, it is worth remembering – and helping studio parents and administrators to understand – the ‘process’ nature of creative dance and its importance in a well-rounded dance education.
Creative dance provides a lab, an incubator, for improvisation, problem solving, invention, collaboration and critical thinking. Through it we learn the language of dance, dance making, and dance appreciation. While we may choose to polish and share what we create, ‘process’ is at the top of the list.
Ultimately, we can bring the versatile skills of creative dance to the study of ALL techniques to help us become better choreographers and more expressive dancers.
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